National Museum of Cambodia

The National Museum of Cambodia in Phnom Penh is Cambodia's largest museum of cutural history and is the country's leading historical and archaeological museum. It houses one of the world's largest collections of Khmer art, including sculptural, ceramics, bronzes, and ethnographic objects. The Museum’s collection includes over 14,000 items, from prehistoric times to periods before, during, and after the Khmer Empire, which at its height stretched from Thailand, across present-day Cambodia, to southern Vietnam. The Museum buildings, inspired by Khmer temple architecture, were constructed between 1917 and 1924, the museum was officially inaugurated in 1920,and renovated in 1968.

History

George Groslier (1887-1945), historian, curator and author was the motivating force behind much of the revival of interest in traditional Cambodian arts and crafts, and it was he who designed this building that is today ‘traditional Khmer’ architecture. It is perhaps better described as a building enlarged from Cambodian temple prototypes seen on ancient bas-reliefs and reinterpreted through colonial eyes to meet the museum-size requirements.
The foundation stone for the new museum was laid on 15 August 1917. Some two-and-a-half years later, the completed museum was inaugurated during Khmer New Year on 13 April 1920 in the presence of H.M King Sisowath, François-Marius Baudoin, Résident-supérieur, and M. Groslier, director of Cambodian Arts , and Conservator of the museum. The original design of the building was slightly altered in 1924 with extensions that added wings at either end of the eastern façade that made the building even more imposing.

Control of the National Museum and Arts Administration was ceded by the French to the Cambodians on 9 August, 1951 and following Independence in 1953, the then Musée National de Phnom Penh was the subject of bilateral accords. In 1966 Chea Thay Seng was the first Cambodian Director of the Museum and Dean of the newly created Department of Archaeology at the Royal University of Fine Arts. This university that form its foundation as the Ecole des Arts Cambodgiens in 1920 was intimately linked with students, artisans and teachers who worked to preserve Cambodian cultural traditions, can still be found to the rear of the museum. During Khmer Rouge regime of 1975-79—devastated all aspects of Cambodian life including the cultural realm. The Museum, along with the rest of Phnom Penh, was evacuated and abandoned. The Museum, closed between 1975 and 1979, and was found in disrepair, its roof rotten and home to a vast colony of bats, the garden overgrown, and the collection in disarray, many objects damaged or stolen. The Museum was quickly tidied up and reopened to the public on April 13, 1979. However, many of the Museum's employees had lost their lives during the Khmer Rouge regime.

Collections

Together with the adjacent Royal University of Fine Arts and its Department of Archaeology, the National Museum of Cambodia works to enhance knowledge of and preserve Cambodian cultural traditions and to provide a source of pride and identity to the Cambodian people. The Museum also serves a religious function; its collection of important Buddhist and Hindu sculpture addresses community religious needs as a place of worship. A permanent exhibition, Post-Angkorian Buddha, supported by UNESCO and a number of individuals and local businesses, opened in 2000 to extend the religious function of the Museum. Under the auspices of the Cambodian Department of Museums, the Museum not only manages its own collection, staff, and premises but also supports and oversees all other state-run museums in Cambodia.

Its activities are further supported by private individuals, foreign governments, and numerous philanthropic organizations. The activities of the Museum include the presentation, conservation, safekeeping, interpretation, and acquisition of Cambodian cultural material, as well as the repatriation of Cambodian cultural proper ty. Looting and illicit export of Cambodian cultural material are a continuing concern. Outside of Cambodia, the Museum promotes the understanding of Cambodian arts and culture by lending objects from its collection for major international exhibitions. This practice was in place before Cambodia’s recent decades of unrest and was reinstituted in the 1990s, starting with an exhibition held at the National Gallery of Australia in 1992. Subsequent exhibitions have been held in France, the USA, Japan, South Korea, and Germany.

Preah Vihear Temple

Preah Vihear Temple or Prasat Preah Vihear or Temple of Preah Vihear (Khmer: ប្រាសាទព្រះវិហារ, Prasat Preah Vihear) is a Khmer temple situated atop a 525-metre (1,722 ft) cliff in the Dângrêk Mountains, in the Preah Vihear province of northern Cambodia and on the border of Kantharalak district (amphoe) in Sisaket province of eastern Thailand. In 1962, following a lengthy dispute between Thailand and Cambodia over ownership, a majority of the International Court of Justice (ICJ) in The Hague awarded the temple to Cambodia.

Affording a view for many kilometers across a plain, Prasat Preah Vihear has the most spectacular setting of all the temples built during the six-centuries-long Khmer Empire. As a key edifice of the empire's spiritual life, it was supported and modified by successive kings and so bears elements of several architectural styles. Preah Vihear is unusual among Khmer temples in being constructed along a long north-south axis, rather than having the conventional rectangular plan with orientation toward the east, and was obviously built to serve the region to the north. The temple gives its name to Cambodia's Preah Vihear province, in which it is now located, as well as the Khao Phra Wihan National Park which borders it in Thailand's Sisaket province and through which the temple is most easily accessible. On July 7, 2008, Preah Vihear was listed as a UNESCO World Heritage Site.

Nomenclature

Preah Vihear is transliterated into Thai as Prasat Phra Viharn or Prasat Khao Phra Viharn [In Thai the"Ph" is pronounced simply "p"]. Prasat (ប្រាសាទ) has the same meaning in Khmer,Thai, and Sanskrit ("castle", sometimes "temple"; in Sanskrit), and Khao is the Thai word for "hill" or "mountain" (in Khmer: "phnom" (ភ្នំ), Cambodians occasionally refer to "Phnom Preah Vihear" (ភ្នំព្រះវិហារ) as Thais usually refer to "Khao Phra Viharn"). The words "Preah" (ព្រះ) and "Phra" mean "sacred", and the words "Vihear" (វិហារ)/"Viharn" mean "shrine" (the central structure of the temple). In Thai, the word "khao" has recently (as of 2008) been omitted from the name in order to differentiate between the temple and the cliff it is built on. Thai mass media appear to have begun this convention. The word Vihear could be related to the Sanskrit word Vihara which means "abode."

The two versions of the name carry significant political and national connotations.

Location

The temple sits atop Pey Tadi, a cliff in the Dângrêk Mountains which straddle the border between Thailand and Cambodia. During different periods it has been located in Cambodia and Thailand in turn. Following Cambodian independence and the Thai occupation of the temple, it was listed as being in Bhumsrol village of Bueng Malu sub-district (now merged with Sao Thong Chai sub-district), in Kantharalak district of the Sisaket province of eastern Thailand. It is 110 km from the Mueang Si Sa Ket district, the center of Si Sa Ket province.

After the 1962 ICJ majority ruled that it belonged to Cambodia, it was listed as being in Svay Chrum Village, Kan Tout Commune, in Choam Khsant District of Preah Vihear province of northern Cambodia. The temple is 1 40 km from Angkor Wat and 320 km from Phnom Penh.

Ancient history

Construction of the first temple on the site began in the early 9th century; both then and in the following centuries it was dedicated to the Hindu god Shiva in his manifestations as the mountain gods Sikharesvara and Bhadresvara. The earliest surviving parts of the temple, however, date from the Koh Ker period in the early 10th century, when the empire's capital was at the city of that name. Today, elements of the Banteay Srei style of the late 10th century can be seen, but most of the temple was constructed during the reigns of the Khmer kings Suryavarman I (1002 -1050) and Suryavarman II (1113 -1150). An inscription found at the temple provides a detailed account of Suryavarman II studying sacred rituals, celebrating religious festivals and making gifts, including white parasols, golden bowls and elephants, to his spiritual advisor, the aged Brahman Divakarapandita. The Brahman himself took an interest in the temple, according to the inscription, donating to it a golden statue of a dancing Shiva.^{[citation needed]} In the wake of the decline of Hinduism in the region the site was converted to use by Buddhists.

Stung Treng - The Home of Fresh Water Dolphin

Stung Treng is a northern province of Cambodia. It was formerly called Xieng Teng and was once a part of the vast Khmer Empire, then the Lao kingdom of Lan Xang and later the Lao kingdom of Champassack. During the period of French Indochina it was again ceded to Cambodia.
The provincial capital is also named Stung Treng and is an important trade hub with a few hints of Lao influence scattered about, owing to the fact that the Lao border is about 50 km away. It?s a friendly, quiet country town situated on the confluence of the San River and the Mekong River. It actually sits on the banks of the San River, with the mighty Mekong coming into the picture on the northeastern outskirts of he town.
The San River goes by three names, depending on which of the locals you speak to. Some call it the Kong River because the San and Kong Rivers merge together about 10 km northeast of Stung Treng town, confusing people about which name the river should bear. Others call it the Sekong River, which is the combined name of these two rivers.
Whatever name the fiver beside the town goes by, it?s another one of Cambodia?s beautiful picture-postcard river towns. It?s a nice place to kick back and chill out if you are on a circuit tour of the Northeast River Scene, from here to Laos.
The San River is fronted in Stung Treng by a nice stretch of paved road. It?s the centre of socializing (as in most Cambodian river towns) in the late afternoon and early evening hours as the locals ride up and down the stretch enjoying the view and each other. Drink and dessert stands spring up earlier to serve the daily merrymaking crowd. It is a nice spot for a walk or jog any time of the day as the river road turns into a pleasant rural road that leads to the airport 4 km north of town. The river port area just in front of the small city park is fairly busy, handling trade between Cambodia and Laos. The ferry across the San River to where National Highway No 7 continues north to the Laos border is also at this pier. The fare is 300 riel per head. We went for a ride on this stretch (2,000 riel for taking a big bike on the ferry), but there is not much to see along the way besides light jungle and some remnants next to the road that was a target of carpet bombing during the Vietnam War years (the road was recently overhauled and is now one of the best in the country).
The road works its way eastward so it does not afford views of the Mekong River as one would hope. The few residents we saw along the way were truly amazed to see the likes of us, who would want to be there.
Read more at http://www.cambodiatips.com/travelguide/stung-treng/